Thursday, November 29, 2007

Wednesday, November 28, 2007

Baby, Baby, Where Did Our Love Go?


Dear DC Comics,

Thank you so much! All I've ever wanted was a comic-book where a psychotic Superman doppelganger slowly tortures Mr. Mxyzptlk to death and then brands a crooked Superman s-shield logo on the mischievious imp's face with his heat vision. Just in time for Christmas, too.
Yer Pal,
Tim






Sunday, November 25, 2007

Picking Up The Pieces



So, yes, the error in question was indeed the failure of Spider-Man's spider-sense to warn him of Kraven's drugged dart. As was pointed out in the comments, this is rather ironic considering that of all the characters in Spider-Man's rogues' gallery, Kraven (or rather, all the permutations of Kraven) actually has a way to circumvent the spider-sense. Kraven made use of various potions and concoctions throughout the years to stymie Spider-Man's danger sense, and even after the death of the original Kraven members of his family retained the secrets. In one of the most egregiously bad stories in the history of Spider-Man ("Torment"), Kraven's former lover Calypso used voodoo sorcery to screw with Spider-Man's mind. (DOOM DOOM DOOM DOOM) But Spider-Man was eventually able to rise above it all.*

Anyway - all that would have been necessary to make the incident jibe would be to have Kraven saying something along the lines of - "With my father's formulas, I have recreated the same gas which rendered your vaunted spider-sense useless, in an undetectable odorless form!" It may seem like such a small thing, but they used to give away No-Prizes to explain these kind of discrepancies. The writers and editors back then were no more perfect then they are today, but the illusion of interactivity helped shore up what could otherwise have seemed like a pretty shaky foundation. Now things have changed, and mistakes by necessity go ignored. Things seem brittle to long-time readers, and even pointing out mistakes like these make a fellow seem old-fashioned - recherche, even.

Which brings us to the other error I mentioned. This error has the virtue of being doubly superfluous: you don't need to show Spider-Man's spider-sense reacting to the danger off-panel, because he obviously hears the explosions. The spider-sense isn't just a generic danger detector; otherwise, Spider-Man would be nigh omniscient. The way the spider-sense has traditionally been used, the spider-sense warns Spider-Man of specific, imminent dangers to his person: if someone fires a gun, he can dodge the bullet because he knows about it just soon enough to move in the opposite direction. This is why the spider-sense is useless in close-quarters: he needs to have room to dodge. Similarly, multiple sources of danger make his spider-sense go haywire and result in him not knowing which way to dodge. Nowhere is it indicated that he possesses the ability to know what's going on a couple blocks away, unless it's a guided missile heading straight for him. Since that's not the case, well...

I guess it's just another thing for old-timers to gripe about for no apparent reason.




* If you get that joke, consider your life officially wasted. I know I do.
...

Friday, November 23, 2007

let's Play Monday-Morning Editor


Who can tell me what is wrong in this two-panel sequence from Punisher War Journal #13? It's not a hard question. Winner gets a Kewpie Doll.



Along these lines there's another, not quite so obvious but still glaring error involving the same general idea a few pages earlier (extra credit if you can figure out what that error is). Once you figure out the problem (or see it in the comments) you may think one of two things: one, you may think it's not an important error at all; or two, you may think it's rather important and impacts your enjoyment of the story. Considering this is a book written not by some stereotypical committee hack but Matt Fraction, thought by many to be one of the most promising talents in mainstream adventure comics, it's rather interesting that this kind of error would sneak through. He's got a reputation for writing smart action-adventure stories. It seems, from my perspective, a very basic error of the kind that brings a long-time reader out of the story almost immediately. Does the fact that I see this error and it immediately takes me out of the story make me one of those old doddering fanboys who sit around their basement apartments in Cheeto-stained sweatpants theorizing about the taste of women, like magical pomegranates in Greek myth? Or can I make a genuine criticism based on the fact that this was a rather elementary error that seems to imply a shaky grasp of the fundamentals required to write a superhero story in this context?

I don't think a comic called Punisher War Journal ever had the chance to be high art, but given that it's a corporate superhero book there are certain expectations of how things will work. You don't order a Big Mac and expect to receive just any old thing in return -- you get two all-beef patties, special sauce, lettuce, cheese, pickles, onions on a sesame seed bun, with that weird pseudo-bun thing in the middle. Similarly, you expect that someone writing a Spider-Man comic (or a comic with Spider-Man in it) will have, if not an encyclopedic mastery, at least a firm grasp of what Spider-Man does and doesn't do. Is it wrong to think that something like this implies a level of contempt for the audience, or is that simply fanboy entitlement in another guise? U decide.