If This Goes On - V

imagine this forever

 

Hey! Before you dig in, did you know that subscribers to my Patreon can now read Galaxy of Zeroes every week-ish (cough) in the virtual pages of The Hurting Gazette? 

 

OH, AND THIS WEEK'S ISSUE IS FREE TO TRY HERE??? IT IS TRUE!!!

 

I am also happy to announce the release of the first issue of The Hurting Gazette Omnibus, collecting the first five issues in their entirety in original reading order. That's almost 70K words - about as big as Brave New World, if you're keeping track at home. 

The seventh issue is now available through my Patreon. The double-sized premiere issue, featuring “The First Star Wars Essay,” is still free here. Thank you for reading! 

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CW: Suicide, self-harm, politics.

So let’s talk.

There’s a quote commonly attributed to Karl Rove, from an October 2004 feature on the Bush Administration written for Rolling Stone by Ron Suskind. Everyone who could have said it has subsequently disavowed it.

You may know the quote. It’s pretty famous:

People like you are still living in what we call the reality-based community. You believe that solutions emerge from your judicious study of discernable reality. That’s not the way the world really works anymore. We’re an empire now, and when we act, we create our own reality. And while you are studying that reality – judiciously, as you will – we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors, and you, all of you, will be left to just study what we do.

You knew when you saw it that it was going to end up in the history books. Such a naked display of arbitrary power – reality itself is just another constituent to be heard from in its turn and then, perhaps, heard from less as time goes on.

It was also nakedly delusional. It’s almost like something they might say in a comic book. Not a particularly good one.

Anyway. Those guys failed spectacularly at everything they tried. Only it was a funny kind of failure, one that came with very little in the way of personal, professional, or political consequences. That’s really weird, I mean, when you think about it.

I think about it a lot. I sincerely hope you do too.

So the National, of all people, used this famous quote on a track on their 2017 album Sleep Well Beast. That was my favorite album of 2017, but 2017 was a weird year for me where I didn’t listen to a lot of new music. 2017 was also an emotional charnel house from January through to December. It’s that kind of album. If the idea of doing a rock album about the heat death of a tired grown-up relationship seems unpleasant, well, it’s probably everything you think it is. But like I say, my 2017 was pretty rough. I think there’s a chance yours may have been too. It was that kind of year.

It’s a very inward facing album, filled with observations that could perhaps be described as “musings.” It’s . . . well, I’m beating around the bush here, but it’s a rock album about being middle aged. And not the Springsteen “Glory Days” middle aged – no, this is a contemporary middle age, all quiet despair and disassociated bonhomie. It’s not an album about longing for youth. Being older is just taken for granted, and there’s something really reassuring about that. It’s not an album I think I could recommend to a twenty-year old and expect them to love – I mean, it’s just kind of sad. The kind of thing you listen to when you want to think about old memories, not make new ones.

If you know anyone who’s really into this album, maybe ask after them?

For a good while in the late Summer and Fall of 2017 I was really into this album. I bought it the week it came out at Target, because that’s the only place that sells CDs next to the dog food. That still sells CDs. This would be right before my mom went into the hospital for a couple months, so I would have a lot of time in the car driving back and forth by myself, listening obsessively to this and a few other things, the most recent Ariel Pink (which dropped the week after Sleep Well Beast), a newer band called Alwways.

So think about that quote from above, from the Rolling Stone piece, and imagine a recitation of that played over a low-key instrumental section of a song about being emotionally disassociated in the last days of a doomed relationship – “I’m always thinking about useless things / I’m always checking out,” he goes, before cooing “I only take up a little of the collapsing space.” Only. Matt Berninger has been reduced almost to a tiny pinprick of wounded beffudlement against the horizon. I hadn’t encountered that quote in a while. I heard it a lot over those few months, by now I can probably recite it from memory, to give you an idea of just how maudlin things were (well, maybe, get a couple drinks in me and I’ll show you my Karl Rove if you know what I mean). I puzzled over that quote in the song, on the album, an album without any other kind of political content whatsoever. It was perhaps an unexpected bit of “wisdom” to be chewing over in the first year of the Trump Administration, but maybe not by quite so much as you’d think.

The National put that quote in a different context and made it a lot easier, once I had thought about it for a while, to see the emotional tenor of those words. The reason why it seems so cartoonishly evil is that, to me at least, it sounds like something you imagine someone saying, in terms of the fact that it lays clear the malice at the heart of the sentiment in a way that would usually only be a dog whistle. Imagine sitting in traffic and drifting off in boredom, putting these fateful words in the mouth of the impossibly beautiful woman who no longer gives you the time of day. Like the woman in these songs – only described by her absence, a chiaroscuro person.

Those words are arrogance. It doesn’t seem plausible that a real, live human being would actually say those words out loud because the philosophy described in them is so obviously, patently absurd and self-defeating that you’d need to be extraordinarily high to have it make even a passing kind of resemblance to sense. “That’s not the way the world really works anymore” – famous last words for conquerors since time immemorial. The underlying premises behind reality do not change simply because the ruler deems them inconvenient.

So why is this woman absent? Why are there no songs about her on Sleep Well Beast? I puzzled over that a bit but I think the answer is fairly straight-forward. He’s not blaming her. This isn’t “Idiot Wind” with its suffocating bilious rage. The fact is that the relationship died, and sometimes when that happens it’s no one’s fault. The album knows this. It doesn’t really want to drag the other party into it on anything other than the level of allusion, because it knows that it would just be petty, vindictive, possibly just repellent. Two people who once loved each other are now on completely different planes of reality. He doesn’t try to blame her for his behavior, or use the album as an opportunity to air a one-sided grievance. There’s a power differential between the semi-famous rock star and the person who isn’t, and Berninger never oversteps, in my judgment. The person who isn’t a famous songwriter doesn’t usually get many chances to settle the score.

I mean, sure. There’s lots of pleading, appeals. The core of the album, found a little over halfway through, is a song called “Empire Line,” whose chorus is the simple question:

Can’t you find a way?

Can’t you find a way?

You are in this too,

Can’t you find a way?

It’s the worst sound in the world. It sticks in your throat because you know what the answer is. He knows what the answer is, too.

But crucially he doesn’t try to represent the conversation as equal when he knows it isn’t. It’s not actually about her at all. It’s about him. She’s not in this too. She left a long time ago. That’s kind of the problem. She’s not there, and neither is anyone else:

I’ve been talking about you to myself 

‘Cause there’s nobody else

And I want what I want

And I want everything

I want everything.

Maybe that’s the problem.

One of the best pieces of advice I got in my entire college career came in the form of an observation about the Great American Novel Moby Dick.

I am certain the person who made this observation had made it a hundred times before to hundreds of undergrads. I didn’t even like this person, truth be told – but this one very simple thing has stuck with me long past almost everything else. I’m paraphrasing, but this is the gist:

The most important parts of Moby Dick are the parts with the whale minutiae.

If you’ve read Moby Dick you know the feeling of huffing along somewhere in the deep thicket of the novel and coming across those first chapters of factual recitation of whale lore. It’s not a fun feeling because it’s an acknowledgement that this wonderful book which had begun as such a rousing pulse-pounding adventure story and buddy comedy in jolly old Nantucket was actually maybe going to get a tiny bit dry and tedious before all was said and done.

Now, I’ve read Moby Dick twice and I can assure you that the tedium is intentional. It’s a very contemporary impulse, actually, the construction of an archive of interpretive material beyond merely the symbolic or metaphorical or psychological level. When you read Moby Dick you have to grapple with the fact that the significance of whales to human myth and imagination – no small significance, either, as whales remain the only animal whose sheer size naturally conjures associations with divinity – is no greater than the significance of whales to human science and economy. It is at the intersection of these that we see the process of dismantling the living creature into pieces precisely measured for separate sale by capital, the process which consumes so much gory (and homoerotic) real estate in the middle of the book.

What’s the whale a metaphor for? Maybe there is no metaphor. Maybe the point is that the whale is bigger than we understand. To make any creature or person or phenomena into a metaphor is to rob them of the most basic right of standing for themselves. The whale is its own reality. When the whale asserts himself the book promptly ends. He alone survived, etc.

Star Wars isn’t a metaphor. This book is about a lot of things but this book is still always consistently about Star Wars even when it’s about everything else, and the reason why isn’t because Star Wars represents anything at all. Star Wars doesn’t stand for anything but itself. Culture writing in this late capitalist hellscape of 2018 resembles nothing so much as the crew of the Pequod setting out to hunt, capture, and vivisect the mighty leviathan. It’s gruesome business. We filet every square centimeter of meat for piping hot takes, served daily all year round.

I mean, come on. This book could have been about anything, really, but the reason why it’s actually about Star Wars is that by being about Star Wars there’s a chance more people might read it. I don’t think I’m giving away any trade secrets there, hoss.

But Star Wars – well. Star Wars is big enough to accommodate even the most capacious intellect because it’s a beast designed around the idea of scale. From the very first moments of the very first movie you are seeing things that are designed to impress upon the audience, and convincingly, the illusion of size. People like seeing really impressively large things on the movie screen. Give people a window into a universe where really impressively large things happen on a regular enough basis and they’ll make you a billionaire.

Star Wars isn’t a metaphor. When I lost my shit in the grocery store parking lot because I left my keys in my car, I really was going back and forth between having an active breakdown and figuring out how best to use Starck and the Phoenix Squad. I’ve been on this farm for a year and I still have not missed a day of farming my game, even in the midst of the most grinding depression and poverty and despair and apocalyptic current events, it’s still a reason to get up in the morning even after two and a half years.

I used to think I should feel ashamed about that but I guess writing a book about the process has, at least so far, helped me appreciate the significance of wringing whatever meaning from life that you possibly can while you can. And honestly, after doing this for two and a half years and counting the scale of the endeavor has sort of become the point. It’s a part of my life.

And now it’s been a year.

Didn’t plan it that way, certainly, but I write these words on the July 4^th, 2018 – one year to the day after I last saw my ex outside the terminal of the Cleveland airport.

How has it been a year? It doesn’t seem long ago now, just a little bit. A year on the almond farm with my parents and their dog and cats.

How has it been a year?

I bought a chain a while back to wear around my wrist – beautiful piece, stainless steel. Fits my general motif. I wore it for a few months and it was quite comfortable – fit perfectly on my wrist, not too heavy.

You see . . . it was a hard thing, a very hard thing, to realize that I have within me a streak of slavish dependency. That makes me ashamed of myself. I avoided being alone for decades because I was afraid of what I might find out about myself, and sure enough, I only had my final revelation about being trans after I’d been living semi-independently from my ex, then at art school. I was afraid of being alone – so afraid, terrified of something I knew was hiding in the back of my head, getting ready to leap the moment I let my guard down.

Peoples’ emotions are very loud for me . . . and I think just that fact made me desperate to stick to as many other people I could. If I was around someone else I didn’t have to listen to my own problems. I could just ignore them, which I did for over twenty years – we’re an empire now, and when we act, we create our own reality. But you can’t outrun a faulty premise. I found it exceedingly difficult to make good decisions while acting under an incomplete understanding of myself.

So what happened? Lying to myself did nothing but compound every problem in my life. It led me to a place where my only options were simple: change or die. I’ve hurt people . . . more than a few. Not intentionally, certainly, but that’s cold comfort. I didn’t know anything about myself, in so many ways . . .

Suddenly I nod off. I’m trying your patience. More than usual. I’m having trouble getting through the fog, this last section has been hanging pregnant over my head for the better part of the week. 

I jerk awake. The room is dark and my computer is on the floor next to me. I don’t remember turning the light off or putting the laptop up . . . I’m still listening to Stars (“Sunrise / oh sunrise / when will the night be gone? / It won’t let me go”) on my headphones. I turn the music off. I hear a scream . . .

 

. . . AND IF YOU WANT TO SEE HOW IT ENDS, CHECK OUT 

THE HURTING GAZETTE 7, 

FREE THIS WEEK AT MY PATREON.

 

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Galaxy of Zeroes

Introduction

Future Farmers of Alderaan

Of Mos Espa 

Much Ado About Nihilus - Part One 

Much Ado About Nihilus - Part Two

Which One is Starck Again?

The First Star Wars Essay 

 Ready Player None 

 

If This Goes On - I

If This Goes On - II

If This Goes On - III

If This Goes On - IV

If This Goes On - V

No new Galaxy of Zeroes this week. You need more???  Next week we'll be back with something completely different.

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she's trying her best dammit

 

If This Goes On - IV

 

fully armed and operational space fascist

Hey! Before you dig in, did you know that subscribers to my Patreon can now read Galaxy of Zeroes every week (cough) in the virtual pages of The Hurting Gazette? AND NOW - I am happy to announce the release of the first issue of The Hurting Gazette Omnibus, collecting the first five issues in their entirety in original reading order. That's almost 70K words - about as big as Brave New World, if you're keeping track at home. 

The fifth issue is now available through my Patreon for subscribers. The double-sized premiere issue, featuring “The First Star Wars Essay,” is still available free here.

Thank you for reading!

 

yeah ok I like helvetica what's your point

*

CW: Suicide, self-harm

 

So let’s talk about good and evil.

There’s a reason why political discourse in mainstream media leans heavily towards technocratic discussion of process: it’s a really good way to talk about politics if you want politics to exist in a vacuum. If politics is system – rule and mechanism and Discourse, all very orderly concepts that can be discussed without passion or bias – then you can discuss the proper maintenance of system without any acknowledgement of what system actually does – that is, the people who it supposedly serves, and who it actually serves. It’s a good way of talking over the world.

So let’s talk about why I’m wearing a brace on my left hand.

I know I shouldn’t read so much into the kinds of small and incremental triumphs that mark my progress in the game, but really, that’s the reason I play the game: the feeling of satisfaction I get when long-term plans pay off is simply extraordinary. I am not being at all facetious when I say that this game has taught me serious grown-up life lessons about patience and economy.

It’s been a hard thing to understand just how thoroughly I had lied to myself for so many years about so very many aspects of my life. The mind is a strange thing, to turn on itself so rigorously and ruthlessly.

Think about the fact that a significant percentage of the population of the United States thinks that feeling bad for their fellow human beings is a dirty trick being played on them by people who pretend to care in order to “score points.” The implication, if you follow, is that an active minority in this country really very enthusiastically does not perceive the active and ongoing suffering of fellow members of its own species as a significant crisis, and think that people who do are making it up for ulterior motives, and naïve to boot. Do you now feel any obligation to extend the olive branch to people who so willfully abrogate the most sacred responsibilities of being human?

Last week they released a rather obnoxiously large new update that centered around the Ships minigame. Essentially it was a whole bunch of new levels that were going to be useful for farming gear that hadn’t previously been available to farm, but in the moment it was merely a pile of busywork that needed doing. In order to be able to farm the levels I have to beat them first, of course, which means beating every rinky-dink level on my way to the top. Which I did.

So why am I wearing a brace on my left hand?

But it’s not like it’s any different here, now, in the United States of America, than it has ever been anywhere. It really isn’t. That’s neither consolation nor fearmongering, it’s simply a fact: there’s always been people who care and people who don’t, along with people who don’t like suffering so much but are OK with it as long as they don’t have to see it, and finally and most fatally people who really, really get off on projecting their will onto other people simply for the sake of it. That’s . . . all of history, basically. We’re not immune to history.

For the longest time I lied to myself about hurting myself, in so many ways. I have spilled a lot of digital ink exploring all the ways I’ve denied hurting myself, and all the ways I’ve worked to overcome that. So far.

It was a half-hour of tedium using my team (currently placing consistently in the teens for the Ships rankings, on the days when I have the time set aside to battle right before rankings are set at eight), but my Ships brought me unexpected gifts in the form of a pile of Zeta mats that were given as bonuses for completing the top tier of the new levels. So my Emperor Palpatine got his second and final Zeta ability slightly ahead of schedule. And that means Thrawn will get his first Zeta ability that much sooner.

Perhaps my favorite aspect of Political Theory, at least inasmuch as I really enjoyed the discipline as it was taught me by the faculty at the University of Massachusetts, Amherst, is that it’s a discipline still tragically in active dialogue with its earliest theorists. In terms of the basic insight into the structural deficiencies of representative governments, what Aristotle observed in the Politics remains essentially axiomatic. It gives me sincere comfort to know that fucking Aristotle, of all people – hardly my favorite philosopher, I stress, actually one I greatly dislike in many other contexts – would be able to look at our political situation in 2018 and say, oh, yeah, that’s a “demagogue,” sorry, that’s on page twelve of the Politics, pretty much the terminal point for democracies, which are fundamentally unstable, which I kind of already pointed out but no one ever fucking listens . . . the human race has been here before. We understand why these things happen now a lot better than he did, and certainly the shape of our societies would be unrecognizable, the value sets illegible. But it’s still the same forces, the same pantomine torsions between competing interests masquerading behind virtue to hide a stubborn dedication to the preservation of inequality as the invariable basis for societal wealth, undergirding society then as now. Now we have smartphones.

As dark as it gets, we’ve still been here before. Not everyone makes it out, but that’s precisely why I’m writing a lot, so that, like Walter Benjamin, I can be a patchy and undisciplined writer and member of a persecuted minority whose large but unorganized body of posthumously published work galvanizes a generation of postwar intellectuals after my tragic death. I mean, if you put this on your shelf next to The Arcades Project you can barely tell the difference. Strong narrative focus. Good beach read, accessible. 

I mean. It’s the name of the blog. Still. Never changed it.

Spring was hard. One of the reasons why it was hard was that things were supposedly going better. It’s easy to be a deep-sea diver. But suddenly the pressure gets relieved and there you are, back on land, trying once again to acclimatize yourself to regular atmospheric pressure . . . and there’s always something new. Every time I sit still for longer than five minutes I feel the hot breath of revelation on the nape of my neck. The wolf finds me.  

The incremental improvements some of these supposedly game-changing abilities offer really do not seem that impressive on first or second pass. In this instance, Emperor Palpatine’s Leader ability – his second and final Zeta ability, so he is now officially completely filled out . . . except of course for the new Level XII+ gear slots that just opened up, even if they haven’t yet rolled out any of the activities where we can get the new kinds of gear. So, you know. The mods need improvement. EP went from, heh, please pardon the expression, zero to hero so quickly he’s still got some decent-but-not-exemplary mods on. He could be a lot faster. He’s getting regularly beat in mirror matches against much faster versions of himself. So much of the game depends on EP’s board-locking Power of the Dark Side ability, which has a high chance of immobilizing your opponent’s entire team. I’m not saying it’s impossible to come back from getting Power of the Dark Sided first, but you’re fighting an uphill battle, and especially not one that the team is going to be able to do on auto half the time in the Arena. You need to be faster, and that’s that. Even just a few ticks off the clock might make all the difference He’s a naturally slow character, and right now his speed is 196. He needs to be well over 200 – well over – but I need time to farm for really good mods. That’s not a small thing. 

(I never really figured out quite how the timing mechanisms work, other than that bigger numbers correspond to faster characters. Someone in the guild chat tried to explain it once but there’s no shit a lot more math than I can deal with, and I’m willing to deal with a surprising amount of incidental math in this game.)

He left a lot out, obviously. I’m a woman who can vote and I sure don’t own property, so I can attest that Aristotle left out plenty. But I don’t think about it in terms of him being some great dead white male who successfully defined the world with his mighty brain, but as a smart guy who long ago made some very, very rudimentary observations about the political organization of human societies, and whose observations regarding the ways in which those different kinds of human societies inevitably and tragically falter remain sound. Think about it this way: we are still using an iteration of governing technology that the fucking Ancient Greeks knew was faulty, full of bugs, and in dire need of constant patches. We’ve had a long time to figure our shit out but we keep getting stuck on page 12 of Aristotle’s fucking Politics. If we’re constantly stuck arguing with troglodytes over the very purpose of the species in terms of communal responsibilities to one another, it doesn’t leave a lot of time for paid sick leave or police abolition.

At the end of 2017 I wrote an essay called “Delaware.” (I mentioned it once already at the very beginning of the book.) The reason why “Delaware” was so terrifying to revisit after writing is that it signified on some level that I was still playing double-column bookkeeping with my emotions. I wrote an essay about all the trauma and turmoil of my 2017 and when I looked back at it, when I actually sat down and read what I had written, I was shocked by the picture of myself that I had drawn for myself. I was surprised by my own words about myself.

Thrawn isn’t even at level XII yet, I should mention, doesn’t have either of his Zetas, but he’s already quite useful. A fun character once you get the hang of his tricky abilities – a feat I stress I have by no means accomplished myself. Well worth the effort. With any luck he’ll be at Level XII by the end of the week.

(Update: Dear reader, he made it.)

Do you see why that might seem so terrifying? I put it right down in black & white over half a year ago that I react to stress and anger with self-harm. I devote a page to hitting the refrigerator of my old apartment as hard as I can, so hard I’m amazed I didn’t break my hand . . .

So many people are hardwired to accept powercults as rational and good organizational models. Our President is the head of an unstable powercult. There’s no organization here other than the stultifying hierarchy of a dysfunctional family suffering under the arbitrary whims of an imbalanced and abusive patriarch. The only people who thrive under a system like this are the ones who get off on suffering. I hope that’s not a familiar dynamic from your own life. It’s all our dynamic now.

A few people in and around the political center are waking up to the status of the powercult in our midst, and the fact that the relationship between the two major political parties in this country has for years been purely abusive and largely symbolic. One fun thing to look for when you have the daily pundit shows on in the background: the frequency with which guests drop pretense and actively appeal to the TV audience to become more engaged. It’s happening a lot more now than you might think, if you didn’t often watch those kinds of shows. Measuring the frequency with which the pundit class manages to overcome their professional detachment in order to express human fear is as good a measure as any other to judge the severity of the day’s cavalcade of atrocity.

Things aren’t going badly. Life-wise. I realized a few more things about myself, over the Spring – a couple more new demons bubbled up from the bottom of the cauldron. Only this time it turned out that I had been lying to myself to cover up something good.

There’s a more cynical way to write the last sentence of the next-to-previous paragraph: Measuring the frequency with which the stifled humanity of the pundit class manages to reassert itself in the form of active terror bubbling behind a surface of placid disassociation is as good a measure as any other with which to judge the severity of the day’s cavalcade of atrocity.

Some things are still personal even for me and even in the context of these essays. I don’t talk about other people here, for one. That may give my work a slightly (haw haw) hermetic or even self-obsessed quality – well, I don’t think I have the right to air anyone’s dirty laundry but my own. Take me at my word, however, when I say that the work of becoming a better person must also be done at subterranean levels of the soul unglimpsed by passers-by, and just like those marvelous cross-sections of superhero headquarters in the Official Handbooks, there’s whole underground complexes somewhere around my basal ganglia filled with snakes you don’t even know about.  

One thing about these kind of abusive powercults, though: they don’t outlive their founder’s success. They can’t. The only thing keeping the structure in place is the inexorable downward pressure being exerted from the apex of the pyramid. When the exchange of power in an organization is purely vertical – that is, strictly hierarchical – there’s no other glue but every individual atomized actor’s fear of the authoritarian. There’s little loyalty, save perhaps the bitter camaraderie that naturally arises from the shared experience of living in the wake of emotionally vindictive abusers. To the shrugged delectation of the hard father they make elaborate ritual of stabbing each other in the back.

Anyway. I want to compliment the designers and developers because they’ve really done a good job at keeping the game just new enough to be interesting. I know it’s all different ways of packaging the same kinds of incremental changes to the same infinitely complex game economy – but they keep me interested. They keep me feeling invested even if I don’t spend any money. That’s a neat trick. They add something significant to my life.

I tried to forgive myself for something that happened a long time ago that wasn’t my fault. The problem with forgiving yourself is that sometimes you really don’t want to.

I don’t even remember what specifically pissed me off. Some piddling petty bullshit with my parents. The kind of kitchen-table bullshit that shouldn’t really get to a grown adult who pays taxes and votes by mail and everything. The gap between thought and deed was the span of a razor’s edge and the impulse to hurt myself was relieved as I hit the floor with my left fist as hard as I could.

Just because a powercult doesn’t operate under the same rules as a standard political party it doesn’t mean any of the consequences, damages, dead bodies, anguish, are any less real. On the contrary, because it operates without any consideration of a future horizon beyond the emotional register of the hard father, it operates completely without foresight of any kind. People who try to discuss the political strategies of the moment are comprehensively unable to perceive the reality of the moment – which is that a powercult does not operate under any rules but the capricious rule of the hard father. When he is gone so disappears his rule – if not always his machinery.

The satisfaction that I get from successfully jumping through the game’s infinitely reiterating hoops is disproportionate to the significance of the events themselves in a vacuum, I freely admit. The longer I plug at it the more confident and in-control of the game environment I feel – even if, as I’ve pointed out, it’s not any kind of immersive game in the sense of role-playing as another person. It’s nice to feel shitty in so many other parts of my life and have a place I can go where those matters really don’t – matter. I guess I never got that part of gaming before.

Some people just like telling other people what to do. Some people like being told.

I’ve always done this. I’ve always lied about it. Always managed to convince myself that it wasn’t really a serious problem, that it couldn’t really be any kind of serious problem. Self-harm was cutting or fire – the stuff I saw when I worked at the hospital, like the kid whose forearms were covered in parallel rows of the most precisely measured scars. Serious business.

Dudes just hit shit when they’re pissed, right? Right.

Anyway. Emperor Palpatine’s Leader ability is called, naturally, Emperor of the Galactic Republic, and it reads, in full:

Empire and Sith allies have +35% Potency and +35% Max Health. Jedi and Rebel enemies have -35% Potency and -35% Evasion. When an Empire ally inflicts a debuff during their turn, they gain 20% Turn Meter. When a Sith ally inflicts a debuff during their turn, they recover 20% Health. When a debuff on an enemy expires, Empire and Sith allies gain 5% Turn Meter.

Holy moly. Got all that? The beauty part is that Darth Vader, of course, gets both faction bonuses, which actually makes him quite decently playable with his master.

(Trump voters wouldn’t know a real hard daddy if one choked them off in front of the entire chain of command using only the Power of the Dark Side.)

Only this time, well. Not only did I do it in broad daylight in front of two other people – my parents, no less – but I seriously hurt myself. I went to the store and bought a brace that I’m still wearing a week later. Typing isn’t so bad but it’s still dicey to pick anything up.

I have a picture of my arm two days after I punched the ground. Although I hit the ground straight-on with my knuckles the entire back of my hand up through to my wrist was a single yellow bruise. It still hurts right now.

The Zeta ability was the last sentence of that passage: “When a debuff on an enemy expires, Empire and Sith allies gain 5% Turn Meter.” Does that seem like much? It doesn’t look like much to see it in action. It’s a small but consistent incremental boost that basically leads to Emperor Palpateams dominating any battle in which they can draw first blood with the Emperor’s board-sweeping AoE attack. Remember, every negative status effect in the game – including the Stuns he inflicts with Power of the Dark Side – are carried via debuffs. And now every debuff, when it expires, gives a little boost to the Empire’s turn meters. It’s diabolical. Perfectly in character. Early advantage leads to late-game domination, and there’s no relief from the onslaught once it gets going.

And I think – how many times have I done this? The knuckles on my right fist are already sensitive and stiff. I always managed to forget. It’s easy to tell yourself that you have “a little temper” that might need a bit of work when you keep the kind of double-column books that erase all outstanding accounts after around 48 hours. Hard to see a pattern when you actively work to suppress the memories.

Why do I hate myself so deeply? Why do I hate myself so deeply that even just the bare idea that I could in time find the strength to forgive myself strikes such a deep chord of fear and anger within me?

I mean, can I just say –

Going back to the Police of all bands in 2018 – trust me: it’s all going to make sense eventually. The last year has been rough. The Police and Sting are figures from my childhood who stopped being culturally relevant to my family before the end of Reagan’s first term. It’s music I never got to hear a first time. They were one of my parents’ bands for the duration of their career, so they played in the car a lot. And then they stopped making music, and when he picked up again on his own it was never the same. He’s got a new album out, I see it in Target when I’m in there, it’s on one of the small shelves where they still sell CDs for the few last weirdos like myself who don’t think it’s such a great idea having all our music on diaphanous clouds that can be deleted at an oligarch’s whim. (Hey, when Bowie died I walked across the room, pulled out the CD I wanted to listen to, and had already ripped the crystal-clear audio to my computer in the time you were still figuring out which streaming service had the Bowie catalog and what restrictions applied which week.) It’s him and Shaggy, the reggae guy. Honestly? Good for him. He’s 66. If he wants to fart around with motherfucking Shaggy and fart out a reggae album in two thousand mother fucking eighteen it’s not like he hasn’t been playing reggae on rock radio since Jimmy fucking Carter. He still somehow, when I sit down and do the hard work of measuring such things, has some cred in the bank, and considering every fucking awful solo jam this man has done since 1983 just that fact should impress upon you how much of a big deal those first five albums actually were. Did you know he saved a giant chunk of the rainforest? No joke, he put a lot of effort into conservation charities in the 80s at the height of his fame and helped preserve millions of acres. There’s caveats that should go on that, I believe, in terms of international charity being a profoundly crooked racket and all the stuff that accrues around the field – they spend a lot of money on parties. But still. Using the windfall of sudden fame and fortune to try and do something for the world – there are arguably better ways to do it but inarguably a lot worse. He saved a chunk of the rainforest and wrote “Every Breath You Take.” What have you done with your life? I mean, what I’m getting at, really, is maybe not so much that Sting is 66 but that I’m 37. The Police released Synchronicity in 1983, he was born in 1951 – do the math, dude peaked at thirty fucking two and then got to spend basically the rest of his fucking life taking a victory lap for writing “Every Breath You Take.” Nothing at all wrong with that. I know, I’m a critic so I’m supposed to walk around and say things like honestly, everyone knows the Replacements should have called it a day after Pleased to Meet Me and those last discs are just Paul Westerberg albums in all but name but that’s not how my mind works. I love prolific artists. I fucking adore Guided By Voices even as I practice very selective purchasing habits regarding the band’s output. I can appreciate people who know their limits and act accordingly . . . but I admire people who go hard on the fucking paint every single fucking time even when it isn’t working as well as it used to, and I mean, come on, I know you don’t like those last five R.E.M., but I love and cherish them, even Around the Sun which I will still swear up and down under torture is the only truly bad slash unlistenable album my all-time favorite band ever made (I’ve done the numbers, trust me, I could never hear “Harborcoat” again for the rest of my life and that would probably still remain true). A good band is interesting even when they’re bad. The Police discography is very good but it’s not perfect, every album has stuff that hasn’t aged well, Sting’s lyrics are what they are. There’s another world where Sting sticks around for a few more albums and it’s perfunctory and he’s obviously just eyeing the door and sticking around for his mates, that version of the Police ends in a lot more acrimony; there’s another world where Sting quits just like he did in ours but critics carpet bomb The Dream of the Blue Turtles so hard it makes Travis Morrison wince and he comes crawling back for five more perfect and better albums with the other two. That version of the group does a leg with Jane’s Addiction in 1989, loves the sound so much they decamp to LA right before grunge hits the west coast and end up recording a less maudlin Achtung Baby. It’s wild, you’d love it. If you didn’t get that Travis Morrison joke you probably have better things to do than be weirdly obsessive about Pitchfork’s rating system – specifically, weirdly obsessive about how bad it is. I have never written for Pitchfork and honestly that’s something I wouldn’t still mind checking off the ol’ bucket list at some point, if there’s time, but I also know I really hate working within . . . basically any kind of structure whatsoever, so the chances of me doing any freelance work that isn’t strictly by invitation are slim and none and slim just caught the last train outta town if you know what I mean. So those five albums – that’s all they had in the tank, for better or for worse. And the weird thing is that I used to be a lot more cool about that stuff when I was younger. More accepting, if not appreciative (if you see the distinction). But the older I get the more I think, you know, I’d have really liked to have another half-dozen albums from these guys. I’d have loved to hear what they did when they got bored. Now it’s not like anyone has a responsibility to be artistically fecund. No one owes me personally sticking it through to the bitter end. It’s not even like Sting stopped making music. But I didn’t make a Walter Benjamin joke lightly. He weighs on me, as much as I actually dislike much of his writing – he was just brilliant enough that his unfinished and disorganized scraps changed the course of western philosophy. Of course, there’s some context I’m omitting. I used to think I liked Benjamin because he was a fellow disorganized bloviator with a large book collection who got by because his biggest fans were other writers. We never got to see what mid or late period Benjamin had to say about the world because he killed himself while trying to escape fascists. I don’t think I’m going to die that way. But just the fact that I have to precede the statement with a serious pause should tell you all you need to know about how confident I am in said statement. I don’t think it’s going to happen not because I don’t think there are people in the upper echelons of the United States government who get hard every night imagining Queer Genocide ’18 but based primarily on logistics and geography. That’s about where we’re at. We’re all in the same basket now. We all join hands and walk together in the light of truth. Sting could have retired at the age of thirty-three, never again recorded another note of music, and died secure in his legacy. What’s this really about? Is it about waking up at 37 and realizing even if by some miracle you manage to survive the action packed fascist dystopia of 2018 you still have to deal with the fact that you’re almost forty and you have nothing to show for decades of your life spent marking time in anticipation of the arrival of the realization that there was nothing left to wait for? I wonder if he ever thinks about what he lost, sitting around whatever kind of grand palatial English countryside estate “Message in a Bottle” buys you. I can’t do anything about the fact that I didn’t find out I was trans until I was 35. There’s nothing in that box but a deep hole of inchoate howling regret unfixed to any signifier – there’s no one to blame, I just didn’t know, it went down the way it did for a lot of weird fucked up reasons that are just the way they are, and I wasted so many years hating myself for nothing.

And doesn’t that just suck, to find yourself mere moments before the end of the world?

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*

Galaxy of Zeroes

Introduction

Future Farmers of Alderaan

Of Mos Espa 

Much Ado About Nihilus - Part One 

Much Ado About Nihilus - Part Two

Which One is Starck Again?

The First Star Wars Essay 

Ready Player None 

If This Goes On - I

If This Goes On - II

If This Goes On - III

If This Goes On - IV

If This Goes On - V

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